Henry Castle: Hare Hill 2012
Hare Hill is a replica of the type of bomb carried by the German Junkers Ju 88 plane during the Second World War. The bomb is cast in rubber and sits on a black granite plinth. It is situated in a gap in Jupiter Artland’s boundary wall; mounted on the stone wall is a bronze cast of a model Junkers Ju 88.
In 2010 Henry Castle was the recipient of Jupiter Artland’s summer residency, having responded to an open call to graduates from the University of the Arts, London. Hare Hill emerged as a result of the residency and was installed at Jupiter Artland in 2012.
The artwork was created in response to a historical event, now subsumed within the local landscape. During the Second World War, a German Junkers Ju 88 crashed into the nearby Pentland Hills after a bombing raid that targeted Bonnington House.
The bronze cast of the German plane fuses modes of commemoration familiar to generations of model-making schoolchildren with those of the sculptural tradition. A second cast of the aircraft was buried at the crash site itself, connecting the two sites.
‘The thought of a complete plane buried in the hill as opposed to the cairns of twisted and mangled fuselage of the original one, visible on the surface, holds a certain poetry for me.’ Henry Castle
Biography
Henry Castle was born in Bath in 1987. He studied at the University of Gloucestershire (2006–7) and Wimbledon School of Art (2007–10). He has participated in a number of group shows in London galleries, including the Anticipation Exhibition, selected by Kay Saatchi. Shortly after this he became the recipient of Jupiter Artland’s 2010 summer residency, which had been open to all recent graduates of the University of the Arts London colleges. At the end of the residency Henry put forward his proposal for a piece of work, which responded to the theme of ‘A Sense of Place’, and Hare Hill was installed in the spring of 2012.
Castle is continually interested in making work which is a direct response to a personal experience of being in particular places in the landscape, ranging from Cornwall to the Isle of Skye. His work contains poetic narratives, using the formal language of sculpture and materials. His long term projects include at Rubislaw quarry, Aberdeen, and a body of work developing a site specific response to the geographical and industrial histories of The Forest of Dean. Castle lives and works in Windsor and is a member of the Royal Society of Sculptors.